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? Ebook Dining Out: Secrets from America's Leading Critics, Chefs, and Restaurateurs, by Andrew Dornenburg, Karen Page

Ebook Dining Out: Secrets from America's Leading Critics, Chefs, and Restaurateurs, by Andrew Dornenburg, Karen Page

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Dining Out: Secrets from America's Leading Critics, Chefs, and Restaurateurs, by Andrew Dornenburg, Karen Page

Dining Out: Secrets from America's Leading Critics, Chefs, and Restaurateurs, by Andrew Dornenburg, Karen Page



Dining Out: Secrets from America's Leading Critics, Chefs, and Restaurateurs, by Andrew Dornenburg, Karen Page

Ebook Dining Out: Secrets from America's Leading Critics, Chefs, and Restaurateurs, by Andrew Dornenburg, Karen Page

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Dining Out: Secrets from America's Leading Critics, Chefs, and Restaurateurs, by Andrew Dornenburg, Karen Page

This book is the first of its kind to examine what defines fine food in America and it introduces us to many individuals who shape our views about food. Using other successful Dornenburg/Page books as a model, the authors once again base their analysis on interviews with chefs, restaurateurs and critics. This insider's guide to the process of restaurant reviewing will excite anyone with a serious interest in food. It also features top sites on the Internet that provide restaurant reviews. 'If I were a restaurateur, I would expect all my staff to read this book. As a restaurant critic, I found it a fascinating insight into the minds of other critics and more especially the minds of some of the people who are serious about running a restaurant.'

  • Sales Rank: #1712510 in Books
  • Published on: 1998-09-22
  • Released on: 1998-10-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.19" h x .88" w x 7.38" l, 1.60 pounds
  • Binding: Paperback
  • 368 pages

Amazon.com Review
Having written about all it takes to become a chef in Becoming a Chef, and about how those chefs do their work in Culinary Artistry, James Beard Award-winning authors Andrew Dornenburg and Karen Page have turned their attention, with Dining Out, to the subject of restaurants and restaurant critics. Restaurant owners, chefs, and critics alike get their turn to discuss the mercurial world of restaurant criticism--is the restaurant critic a valiant consumer advocate or a villainous ruiner of careers and businesses?

Dornenburg and Page interview 61 members of this "food intelligentsia" and offer the reader a snapshot of the process on either side of the kitchen door. New York Times critic Ruth Reichl notes, "I wake up in the middle of almost every night before a review is printed, agonizing over where the mistakes are.... I knew if I had called a turnip a rutabaga, my career was over." And chef Norman Van Aken says he believes "wholeheartedly in the idea of critical analysis, whether for books, movies, or restaurants. I just wish the public would understand that there are bad reviewers as well as bad reviews." Through interviews and research, Dornenburg and Page explore what it takes to become a critic, how the critics themselves feel about their power (not to mention what the restaurateurs feel), and the changing nature of what makes a great restaurant.

The book is packed with great quotes from chefs and critics, and peppered with sidebars on such handy topics as how to work with a wine steward in a restaurant to achieve the wine experience you're looking for. A lengthy appendix lists critics' favorite restaurants in more than 20 cities, and the beautiful black-and-white photographs by Michael Donnelly evoke both the fun and serious sides of restaurant life. Dining Out will appeal to foodies who delight in the behind-the-scenes stories of both chef and critic, and to anyone who's ever wondered just who those restaurant critics are, anyway.

From Publishers Weekly
Anybody who has ever dreamed of joining a restaurant critic's inner circle will thoroughly enjoy this gossipy, insider's view by the 1996 winners of the James Beard Award for Best Writing on Food (Becoming a Chef). Interviews with leading critics and restaurateurs are a major part of the author's investigation into the methods employed by critics and the effect they have on restaurateurs' culinary ideals. It's a (relatively) serious topic, but one Dornenburg and Page address in a vibrant, conversational tone. Thanks to the unexpectedly dramatic lives of the characters involved, the pages buzz with often surprising tension, humor and emotion. Readers hear from restaurateurs who have staked fortunes on a creative vision, only to find that success often rests in the hands of a single, highly opinionated, sometimes unpredictable writer. The critics, meanwhile (most notably the New York Times's Ruth Reichl, teasingly shown on the cover wearing a face-obscuring hat), don wigs to maintain anonymity, fend off attacks from knife-wielding chefs and eat such dubious delicacies as braised goat penis and worms fried in lard. After being regaled with so many tart and entertaining observations, the final 100 service-oriented pages (Internet review sites, critics' favorite restaurants in selected cities) are somewhat anticlimactic. But just treat them like the after-dinner mint and the rest of the meal will get high marks for its appealing presentation, spice and color. 50 photos.
Copyright 1998 Reed Business Information, Inc.

From Library Journal
Dornenburg and Page, coauthors of the award-winning Becoming a Chef (LJ 8/95) and Culinary Artistry (Van Nostrand Reinhold, 1996), move out of the kitchen and into the dining room, focusing on the restaurant critics whose opinions often determine where we dine on Friday night. While the authors demonstrate the same incisive culinary qualities as in their previous works, chapters and numerous sidebars on such topics such as "Cooking for Ruth Reichl" and spending a week in the restaurant lives of both Reichl and Gael Greene will hold little appeal for readers who aren't hard-core foodies. Mostly, the book presents food critics' comments about the review process as well as opinions from chefs and restaurateurs about the people who review them; like the Zagat guides, everyone gets to be a critic here. The book ends with a list of the top critics' favorite restaurants, a guide to restaurant review sources on the Internet, and biographies of interviewees, all fairly sugarcoated. Recommended only for specialized culinary collections due to some in-depth reporting and interviews with a few restaurant notables. Otherwise, "Where's the beef?"ADrew Ackers, New York
Copyright 1998 Reed Business Information, Inc.

Most helpful customer reviews

7 of 8 people found the following review helpful.
Finding the Good Things in the Mixed Buffet
By Coco Pazzo
There is a lot to like about this book-- if you can find it! Between layout, verbiage, and sidebars, there is no flow of language at all-- this is simply a huge buffet of interviews roughly (emphasis on "roughly") organized along thematic lines. The text may be interrupted by two of three pages of a topical commentary by another critic or restaurateur; long quotations related to the topic may be found in the margins; thumbnail reviews of some restaurants in some cities may be found in the back.
But curiously, for a book that wants to explore the role, place, function, and substance of the food critic in our society, this book fails to offer many examples of "good criticism." For instance, we learn that other critics love the writing of Gael Greene or Ruth Reichl, but we are not given excerpts from their supposedly noteworthy reviews. Instead, what we have is a real mishmash of text that appears to be the result of standard interviews, cut and pasted into wherever the editors feel it fits. That's three stars... as in average. With higher expectations. Oh well, as Johann Killeen of Al Forno in Providence, RI, says, "any publicity is good publicity."
True for Al Forno; less so for this book.

5 of 5 people found the following review helpful.
Illuminating and entertaining, with more drama than opera!
By A Customer
As someone who follows the restaurant scene with the same level of enthusiasm that some teenagers follow Jessica Simpson, I got caught up with all the brouhaha around the debut of the new New York Times restaurant critic Frank Bruni. This got me curious about restaurant critics and their methods and whether anyone had ever studied the subject, which led me to the one-of-a-kind book Dining Out by Dornenburg and Page. I found it incredibly illuminating, not to mention entertaining. The authors dissect every detail of how reviews are written and stars awarded, based on interviews with leading food critics such as Tom Sietsema (now of The Washington Post), S. Irene Virbila (of The Los Angeles Times), and Dennis Ray Wheaton (of Chicago Magazine). They also interview leading chefs and restaurateurs about their views on critics and the power of the press. I've come to learn that there is as much or more drama in the world of restaurants as there is in opera! This book even breaks down what it took to get a four-star review when former restaurant reviewer Ruth Reichl was at the helm.
Every discerning diner should read this book for an eye-opening look at the state of contemporary restaurant criticism, not to mention a tasty behind-the-scenes read about some of the country's best restaurants (including the rise and fall and rise again of New York's own Chanterelle restaurant, which just won Restaurant of the Year at this year's James Beard Foundation Awards).

2 of 2 people found the following review helpful.
The pages buzz with surprising tension, humor and emotion.
By A Customer
"Anybody who has ever dreamed of joining a restaurant critic's inner circle will thoroughly enjoy this gossipy, insider's view by the 1996 winners of the James Beard Award for Best Writing on Food (BECOMING A CHEF). Interviews with leading critics and restaurateurs are a major part of the authors' investigation into the methods employed by critics and the effect they have on restaurateurs' culinary ideals. It's a (relatively) serious topic, but one Dornenburg and Page address in a vibrant, conversational tone. Thanks to the unexpectedly dramatic lives of the characters involved, the pages buzz with often surprising tension, humor and emotion. Readers hear from restaurateurs who have staked fortunes on a creative vision, only to find that success often rests in the hands of a single, highly opinionated, sometimes unpredictable writer. The critics, meanwhile (most notably The New York Times' Ruth Reichl, teasingly shown on the cover wearing a face-obscuring hat), don wigs to maintain anonymity, fend off attacks from knife-wielding chefs, and eat such dubious delicacies as braised goat penis and worms fried in lard. After being regaled with so many tart and entertaining observations, the final 100 service-oriented pages (Internet review sites, critics favorite restaurants in selected cities) are somewhat anticlimactic. But just treat them like the after-dinner mint and the rest of the meal will get high marks for its appealing presentation, spice and color." --PW

See all 27 customer reviews...

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